Knowing You
written by a friend, who sees beauty along the cracks of life
Inspired by someone
who is very dear to me.
Also, if you’re reading this and thinking
Spektor, The Little Prince, Von Teese and Taylor –of course you’re right.
Also, if you’re reading this and thinking
Spektor, The Little Prince, Von Teese and Taylor –of course you’re right.
It’s
11:15pm and it’s the first time I’ve ever been this drunk. I’m fifteen and being
this fucked is my fucked up idea of adulthood. At fifteen all I want is to be
treated like an adult, is to do adult things, is to just be an adult. That
word. Adult adult adult adult; I toss, tease and drag the syllables across my
tongue until the words feel like a mantra you might murmur to keep the bogeyman
at bay. I was naïve back then. Things have changed, though not in their
entirety. Tonight, I’ve ended up at this party full of kids with ideas just
like mine because it’s your birthday. But I don’t know you. Not even a name.
Just a friend of a friend of a friend; three of the six degrees of separation.
But the three degrees keeping us apart minimise to zero as we meet. I wish you
a happy eighteenth and then, we begin. Later I will discover how you are full
of firsts and, to this day, remembering those feelings still cause quivers in
my usually calm composure.
Can I know
you? I wonder to myself. Let me know you, I pray.
At first I
am clumsy around you, trying to be like Dita and Elizabeth, yet instead I come
across awkward and teenager. You call me out on my pantomime, so I loosen up
and exhale. Icy jack-frost winter arrives and we spend it memorising each
other. I had always loved your well-worn hands; lasting remains of a passion
for taekwondo. Each callus a tally, each bumpy grain a reminder. I remember
thinking if even a shadow of that fire could flicker for me then I would willingly
drown in your sweet supple ambrosia. This was me lying to myself as if I had a
choice. But you managed to show me how your passion had more than one driver.
So I revelled then I drowned. You also teach me that the bodies I love should
value actions over words and I show you the joys of loving someone so
trustworthy. We leave our marks on each other like dry hands on wet concrete.
Deep, permanent and like no other. Summer is hot and sweaty and now we memorise
habits and nuances. I think you’re wise, you say I’m interesting and my stomach
flutters when I think of your hot hands cupping my always frozen ones. You are
new in all the right ways. I smile to myself and release a breath because this
surrealism feels so good.
We have
fallen in love. I tell myself; I think I know you.
I’m smug and satisfied because I think I know you.
I’m smug and satisfied because I think I know you.
We wind up,
and then we wind down after a year. Only I wish it were as graceful as that. If
anything we were more like fireworks; hot beautiful reactions which suddenly
fizzle out and combust at their peak as they come crashing down much faster and
more aggressively than they ever could have hoped to rise. The arguments are
bad, the stale tense moments in between worse. I cry. I cry a lot and I cry often.
I selfishly fool myself into thinking that nobody has suffered heartache as bad
as mine. I feel confused; I don’t understand, and begin to think maybe we never
were in love. So the tears continue. I then hear Regina tell me that even
mothers who have lost their children don’t cry forever. So I stop. This line
becomes my go-to escape from every visit to the land of tears.
But secretly, even more so, I wish you didn’t know me.
I hear
stories of you doing x, of y occurring, of z happening. Some of the things
during our icy Jack Frost winter and hot sweaty summer. The news reverberates
deep because this you doesn’t match the image etched into my brain. I once read
somewhere, sometime, that we create illustrations of others based on what we
know and fill in the gaps with the assumptions that make us happy –regardless
of the fact there is very little evidence to support them. So I begin to wonder
whether you were a blank canvas and did I foolishly project my Adonis onto you?
Or are these stories simply hollow grains churned through a well-worn rumour
mill? But of course I don’t even consider asking you if they’re true because we
don’t ask anymore. I’m also gripped by fear; I’ve grown attached, miss and love
this echo of mine; so much so that I almost refuse to pry my fingers off of it
–even if it means feigning ignorance. However, I tell myself that I am a wise
adult now and whilst surrealism is what comforts me at night, reality is
usually what’s left standing.
I accept I
don’t know you anymore. Screw this. Perhaps I never knew you at all.
We talk on
and off over the next 4 years. The first conversation was strange. The second
was less. The latest wasn’t at all. You begin them and you end them. Our
conversations peak when we are both loveless, and plummet when our hearts are
focussed on the promise of something new. We fall in love and out of love like
before, but with different people. Different people, different love.
One night
it’s 3:28am where I am and 7:28pm where you are and we talk about us. Us now,
us then. In previous conversations we have skirted and flirted with the subject
but finally we face it. I ask you about tales xyz and you ask me what I loved
and hated about you most. We are honest and raw so we resurface sated and
reborn. Our conversation continues humming along to this tone of familiarity
and nostalgia until my eyelids are weighted with lack of sleep and become too
heavy for me to raise. So I say goodnight and end it with an extra lettered
kiss (x).
Before I
fall victim to sleep I realise that I love you, and that you love me too. But
not like when I was fifteen and you were eighteen. No, not like before. I may
not know what you do at 9pm on Thursdays anymore (Taekwondo, I hope) but I’m
willing to bet that you’d still squirm if I brushed my lips against your neck and
that you still pronounce ‘church’ as ‘charge’. Because those are the ways I
know you and they are unlikely to change. As silly as it is, I think we are
like the London Underground. We are on different lines of the tube and it is as
if right now we are at different stations too. At fifteen and eighteen, when we
were in love, our lines were intercrossed at the same stop. And as they
diverted we fell out of love, bringing us here. And in the future, when they
meet again, we will fall in love for a second time. In some ways we will be different
people, but we will be the same in the most important ways and that is why we
will be able to cast new, more spectacular, unalike fireworks. Who knows, it
might be our final stop so they may not come crashing down this time round.
Alternatively, we might be the same in all the wrong ways, and instead they
will plunge through the air, perhaps more vigorously than the first time,
leaving possibilities open for a third, fourth, and fifth time. But it’s OK
because I’ve come to realise that both outcomes are OK.
I am on the
brink of sleep now. I am content. I know you in all the important ways.
I knew you before and will always know you.
I know you so I can sleep.
I knew you before and will always know you.
I know you so I can sleep.

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